Britsh Music at Beulah

 In June 1979 a small group of people (including Beulah's founder), with a passion for British music, met under the chairmanship of Peter Middleton, to discuss how such music may become better known. At that time, apart from a few favourites, very little British Music was broadcast or recorded. The meeting ended with the formation of the British Music Society.

Discover British Music featured on Beulah.

New for August

Many music lovers miss the sound from vinyl pressings. Many others have yet to discover how pleasant the sound can be. Most of our albums are mastered from vinyl LP pressings and earlier recordings (before 1953) from 78 rpm discs. It is our ability to recreate, in the digital age, the sound from the disc era that many of our customers find most enjoyable.

Unlike modern digital recordings tracks in our albums do contain some distortion, and the occasional surface noises, but for many listeners these "defects" are soon forgotten.

Our albums are available from many download and streaming sites.

We highly recommend downloading from where you can download or stream in high quality, for the same price as iTunes medium quality.

New albums

	coming in September
	coming in September

What the Critics Say

"Aksel Schiøtz’s Schöne Müllerin can be obtained on Volume 2 of the Danacord series devoted to him, but it’s less generously coupled there with Grieg. I hadn’t encountered either of these recordings before but enjoyed them very much in these clean transfers. I tend to avoid recordings prior to the advent of LP unless they are very special, which is exactly what this Müllerinis, an ideal adjunct to Dietrich Fischer-Dieskau’s Schubert, also with Gerald Moore which, nonetheless, continues to be my benchmark in various forms.

"Dichterliebecan be found on another Danacord CD but, again, the Beulah transfer offers the music in very fine form and the two classic Schubert and Schumann recordings make for an ideal coupling and excellent value. I’ve seen it suggested that Schiøtz’s Dichterliebeis even finer than his Müllerin. I’m not going to get into that debate; I’ll merely say that this, too, rates alongside my favourite recordings.

"It goes almost without saying that Gerald Moore provides the ideal accompaniment throughout. You would hardly mistake these for recordings made in the stereo era, but the sound quality would still have been creditable in the mono LP era and the transfer loses the surface noise without detriment to the recorded range. "

Brian Wilson at Musicweb International

"How do you choose just one album of essential Wagner? For starters, I wouldn’t like to have to try–like the Irish joke; if I were going there, I wouldn’t start from here. Granted, however, that I did try, these selections would all have offered themselves as possibilities, perhaps with the substitution for Wotan’s Farewell of Georg Solti, either his first recording of the Todesverkündigungand Act 3, or his complete recording.

"I’m especially pleased to see an extract from Rudolf Kempe’s Meistersinger which, if only it had just made it to stereo, would have been an abiding classic.

"The recordings have been well transferred, though the opening Meistersinger Overture has come out sounding a little shriller and coarser than I remember. As usual, the lossless version from Qobuz is more recommendable than the mp3 alternatives at the same price of £7.99.By contrast, the Wesendonck Liedersound better than I remember them on the Decca Ace of Diamonds reissue. Flagstad’s voice was then well past its best, but these recordings get to the heart of the music."

Brian Wilson at Musicweb International

"Two classic recordings and a cover shot of the Settle to Carlisle railway.

"I’m especially pleased to see an extract from Rudolf Kempe’s Meistersinger which, if only it had just made it to stereo, would have been an abiding classic.

"The Beulah transfer has improved the Brahms, originally a rather shrill Pye Golden Guinea offering. No amount of remastering, however, can disguise the slightly backward positioning of the soloists in the balance. "

Brian Wilson at Musicweb International

"Lovers of Military Band Music will need no urging to go for Beulah’s latest release: Military Marches from the Band of the Coldstream Guards/Major Douglas Pope and the Band of HM Royal Marines/Lt. Colonel Sir Vivian Dunn (2PS32ADD/stereo [59:17]).If you followed the review of Beulah’s Classic Marches this offers more of the same in the same high quality transfers.

The Marines, released by HMV in 1963,open the proceedings with:
Under the White Ensign [3:03]
L’entente cordiale[2:46]
Semper Fidelis[2:41]
On the Square [2:57]
No Hiding Place [2:42]
Army of the Nile [3:17]

Followed by The Guards, recorded by Decca in 1958, in:
Voice of the Guns [3:12]
With Sword and Lance [2:34]
Le père de la victoire[3:28]
Light of Foot [2:52]
Le régiment de Sambre et Meuse[2:52]
Under the Banner Victory [2:43]
Anchors Aweigh[3:09]
Entry of the Gladiators [2:35]
Københavner March [2:26]
Radetzky March [2:39]
A Frangesa![2:18]
El Abanico[3:31]
National Emblem [2:51]
The Consort [4:41]

Brian Wilson at Musicweb International